The Shadow of Your Shadow

 

The Shadow of Your Shadow

block printing performance; performed by J'Nade Alcindor, Saskel Fenton, Maria Da Silva Antunes, Julia Oliveira, Shanaya Nurse with accompanying soundtrack by Tommy Grace; AIR at Lawrence Works, London; 2018

The Shadow of Your Shadow

 

The Shadow of Your Shadow

detail of textile printed during performance; 2018

The Shadow of Your Shadow

block printing performance; Performed by J'Nade Alcindor, Saskel Fenton, Maria Da Silva Antunes, Julia Oliveira, Shanaya Nurse with accompanying soundscape by Tommy Grace.
AIR at Lawrence Works, London; 2018

'The Shadow of Your Shadow' was developed as part of a project by AIR in response to a recently closed textile factory in North London. Five dancers perform a short choreography across a roll of fabric wearing purpose made print-block shoes.

 

Astral Flesh 2-Way Stretch

 

Astral Flesh 2-Way Stretch

installation view
Dolph, London; 2017

Slip Proof & Long Neck

 

Slip Proof & Long Neck

block print on leatherette
90 x 150cm
2017

Captive Series

Captive Series

block print on nylon/lycra, sock print and block print on cotton lawn.
150 x 200cm
2017

Install views from 'Astral Flesh 2-Way Stretch' at Dolph Projects. Print blocks were walked across lengths of fabric in a range of choreographies, colours and motifs.

 

Original Condition

 

Original Condition

screen print, cotton, aluminium print screen
58 x 68cm
2017

Original Condition

 

Original Condition

screen-prints on cotton, silk and sateen, yellow-meshed aluminum print screen, aluminum legs, return receipts, plywood, nail
70 x 87 x 123cm
2017

Original Condition

 

Original Condition

screen print, cotton, aluminium print screen
70 x 87 x 62cm
2017

'Original Condition' is an ongoing screen printing project which makes use of the 28-day return policy common to high street retailers. A garment is purchased, used to make a print and then returned to the shop for a refund.

 

Full Drop, Half Drop, Brick, Spot, Diamond, Triangle, Stripe, Hexagon, Ogee, Scale, Mirror, Turn-over, Swiss, Tossed, All-over

 

Full Drop, Half Drop, Brick, Spot, Diamond, Triangle, Stripe, Hexagon, Ogee, Scale, Mirror, Turn-over, Swiss, Tossed, All-over

screen print on cotton
1700 x 250cm
2016

Full Drop, Half Drop, Brick, Spot, Diamond, Triangle, Stripe, Hexagon, Ogee, Scale, Mirror, Turn-over, Swiss, Tossed, All-over

 

Full Drop, Half Drop, Brick, Spot, Diamond, Triangle, Stripe, Hexagon, Ogee, Scale, Mirror, Turn-over, Swiss, Tossed, All-over

detail

Full Drop, Half Drop, Brick, Spot, Diamond, Triangle, Stripe, Hexagon, Ogee, Scale, Mirror, Turn-over, Swiss, Tossed, All-over

 

Full Drop (test)

screen print on paper
59 x 94cm
2016

'Full Drop, Half Drop, Brick, Spot, Diamond, Triangle, Stripe, Hexagon, Ogee, Scale, Mirror, Turn-over, Swiss, Tossed, All-over' is a swimming pool-sized roll of fabric, printed with both a tile pattern and weekly borrowings from the local pool. Hair bands, earrings, used plasters and goggle parts etc. were found, removed, screen printed in the studio and returned to the bottom of the pool.

 

Why Don't You Put Eyes In Those Holes?

 

Why Don't You Put Eyes In Those Holes?

installation for a participatory workshop
New Walk Museum & Art Gallery
2016

Why Don't You Put Eyes In Those Holes?

 

Why Don't You Put Eyes In Those Holes ?

script for a performance (extract); 6 colour screen print on card.

100 x 21cm
2016

Trying To Cut Out A Heart

 

Trying To Cut Out A Heart

fabric remnants, textile adhesive, cotton
200 x 91cm
2016

'Why Donít You Put Eyes In Those Holes?' is an installation for a workshop first shown at New Walk Museum & Art Gallery, Leicester. Audio recordings of the workshop became a scripted performance whilst the physical leftovers were used to make the textile hanging 'Trying To Cut Out A Heart'.

 
 
 

^ top